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Posts Tagged ‘Roadside America’

05.22
11

Get Your New Kicks On Route 66

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May 22, 2011

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World’s Largest Kid, Columbia, South Carolina [May 16-22, 2011]

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USA and Canada Tips and Stories

  • Creations from Mufflers, Cortez, Colorado
  • Site where John Dillinger was shot dead, Chicago, Illinois
  • Arabia Steamboat Museum, Kansas City, Missouri
  • Backyard School Bell Collection, Angier, North Carolina
  • Ghost Town – Nix Store, Nix, Texas

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05.22
11

Flying Saucer McDonald’s, Roswell, NM

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This is the world’s only McDonald’s shaped like a flying saucer. Its aerodynamic qualities have been compromised by its need to enclose a Playland, but there’s no mistaking its distinctive saucer shape, enhanced during daylight by its metal skin and at night by its judicious used of neon piping around its window frames and ridge lines.

The large wall of an adjacent building has been filled with a mural by resident Roswell guerilla artist Larry Welz. Ronald McDonald and Birdie the Early Bird fly space contraptions around what appears to be a planet-size brain. Is McDonald’s — which commissioned the art — suggesting that it serves brain food? The mural gives people waiting at the drive-thru something to ponder, and provides a handy photo-op for Roswell’s alien-minded fast-food-chomping visitors.

05.20
11

Area 51 Museum, Alien Zone, Roswell, NM

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For our limited attention span, the most satisfying attraction in Roswell is the Area 51 Museum at the Alien Zone cafe and gift shop. It was built in 1998 by Randy Reeves, a commercial artist and pastor of Roswell’s Washington Avenue Baptist Church. “Families with kids were coming to town and they were bored with the UFO Museum,” said Elsie Reeves, Randy’s wife. “We decided we’d become like the Hollywood part, where they can become part of the story.”

To that end, visitors to the Area 51 Museum are encouraged to pose for photos with dummy aliens in about twenty different life-size dioramas: a crashed saucer scene (you can crawl into the saucer), an alien in an upside-down room, an alien at a bar-b-que, in a jail, in an outhouse. Our favorite was the “alien autopsy” scene, complete with bloodied plastic meat cleavers that you can hold aloft.

In the early 2000s, Alien Zone opened a second store in Roswell with a new attraction: Hangar 84 (named for the place where Roswell’s aliens were supposedly first hidden). That location closed in 2008, but Randy salvaged much of Hangar 84 and added it to Area 51, accessible through a small tunnel. It presents a much darker view of extraterrestrial relations, depicting a crew of aliens undergoing what appears to be Bush-era enhanced interrogation techniques. In one corner, a cage of what look like super-intelligent rats gnaw on alien bones.

However, Randy ends his museum on a cheerful note: a miniature “City of the Future” model, an elaborate nighttime sci-fi cityscape of Roswell-yet-to-come that glows with black light paint.

Elsie said that Randy enjoys making people happy, so he’s always adding new things to the Alien Zone (he’d been installing aliens in the cafe when we visited). “There’s room to keep going, so he’ll just keep going.”

05.20
11

Sunol Water Temple, Sunol, CA

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It’s a municipal water facility, not a pagan temple, but the Corinthian columns holding up the circular roof make the Sunol Water Temple seem really out of place in the mountains east of San Francisco bay. And those half-finished painted figures on the ceiling look like Vestal Virgins. The quotes that wrap around the outside about water are biblical — from the Old Testament.

The elaborate concrete structure was built in 1910, designed by architect Willis Polk to resemble an ancient Italian Temple of Vesta (!). It shunted water through its cistern into a channel and subsequent filtering conduits, delivering half of all the drinkable H2O needed in San Francisco.

The temple was damaged in the 1989 Loma Prieta earthquake, but a community restoration project between 1997 and 2001 brought it back to its former glory. Today the gated area is usually open during the business week. The 40-ft tall temple is easy to spot.

05.18
11

Watch Gladiators, Flee The Minotaur, Then Buy A Pumpkin

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Road trip news, rants, and ruminations by the Editors of RoadsideAmerica.com

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Watch Gladiators, Flee The Minotaur, Then Buy A Pumpkin

Chris Gounalakis wants to sell you a pumpkin. He knows how to do it, too. He’ll get you to come to his farm to watch the gladiator battles, or to be chased around its labyrinth by a live minotaur.

“Why would you drive 30, 100 miles from this place to go in the mud and pick a pumpkin? You can do that at Safeway,” said Gounalakis, whose Arata’s Farm occupies eight acres south of Half Moon Bay, California. “We’ve found a way to make farming fun.”

Gounalakis, who emigrated from Greece in 1969, built his farm’s first labyrinth in 2001. It’s grown in size and complexity every year, with turrets, arches, and seven-foot-high walls made of thousands of bales of hay. The live minotaur was a later addition (he roams the labyrinth on weekends) as were the gladiators, who arrived as swordfighters who just wanted to rent the maze for private battles. Gounalakis turned them into gladiators, built them a hay bale fighting pit, then replaced it with an elaborate hay mini-Coliseum.

Other attractions have appeared on his farm as well, from the traditional hay rides and petting zoo to a miniature train and a haunted barn (admission is charged for some, like the labyrinth; others are free, like the gladiator battles). Gounalakis plants his pumpkins with corn to create a half-mile-long undulating “Pumpkin River,” visible from space.

Gounalakis is not the only farmer with a spectacular approach to pumpkin sales. And some people don’t like it. He recently had to appear before the county Agricultural Advisory Committee, which recommended that he be denied the permits that would allow him to operate as anything other than a traditional pumpkin farm. “They ought to be happy that we draw so many people out here,” said Gounalakis, who believes that “radical groups” are behind his opposition.

Gounalakis feels that he has enough local support to outweigh his foes and open for business in late June, as he does every year. And he won’t give up the gladiators or the labyrinth, which he says are instructive for children. “It’s based on education. I’m not gonna budge on that.”

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05.18
11

Statue of Liberty Lifted by Soldiers, Dade City, FL

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An unusual patriotic sculpture was unveiled on Veteran’s Day in 2010 on the campus of St. Leo University. Officially titled “For Those Who Serve,” the 2-ton bronze depicts a representative member from each branch of US military service holding aloft a strutting Lady Liberty. It’s like a confidently crowd-surfing Lady Gaga, only this gal holds the Torch of Freedom 22-ft. above Dempsey Plaza, in the St. Leo Student Community Center Complex.

New York sculptor Dexter Benedict spent two years creating the work, intended to show the strong connection between the school and military service. It’s somehow perfect for a college campus not conflicted about its heritage of graduates serving in the armed forces. But it includes a nod to underclass antics — perhaps they are about to toss her through a basketball hoop for a YouTube video!

The group carrying Lady Liberty appear to be heading toward a seated, robed figure — St. Leo himself. The Saint gestures approvingly at the procession, as if to say “You go, you crazy kids!”

05.16
11

Polynesian Cultural Center

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Tourism is the lava that keeps Hawaii molten, but a traditional “road trip” is impractical. The rest of the world can’t drive to it, and the island chain refuses to be joined by tunnels. There are no billboards (by law) or reptile ranches (snakes forbidden!), but Hawaii does have one massive, classic roadside attraction. On Oahu, Hawaii’s most populous and commercial landmass, many visitors make the hour-plus pilgrimage from Honolulu to the northeast shore’s Polynesian Cultural Center.

The Polynesian Cultural Center is made up of eight replica “villages” that showcase the separate strains of island peoples and culture from the Pacific Ocean region known as the Polynesian Triangle.

Every day (closed Sundays) each village repeats a routine of arts and crafts demonstrations, acrobatic feats and musical performances specific to their regions — a concentrated dose of costumed culture, perhaps not as unfamiliar as before Survivor.

Some Village activities are more kinetic and interactive –- fire walking, spear throwing, a guy in bare feet climbing a tree in three seconds. There are regular performances of Tongan drumming. Other programs may have the feel of a class lecture, an excuse to sit down for 20 minutes. Sprinkled among the villages are static exhibits – original outriggers, a Rapa Nui line of moai statues.

Simulated Polynesia is brought to life by something like 1,300 employees. The characters in native dress are often students attending college at Brigham Young University-Hawaii, which owns the 42-acre living museum (and is connected with the LDS Church, long-standing missionaries). The PCC has been in operation since 1963 and has been Hawaii’s number one paid admission attraction since 1977.

Admission isn’t cheap for any of the activity packages, but for first-time Oahu visitors a Cultural Center package is often part of the family fun budget (One time- and money-saving tactic is to spend the day driving around the island, arriving at the Cultural Center at 5 pm for a discounted package. This provides just enough time to see a village or two, feast at the luau, and settle in for the spectacular evening show).

For the full-day experience, the PCC offers scheduled events and demonstrations in each village — tiki carving, coconut husking, simulated pig hunting — all the essentials. Villages connect by winding paths through a tropical landscape. A map aids in distinguishing one subtle Polynesian flavor from the next – learn to not confuse a Fijian spirit house with a Tongan royal summer palace. Large canoes maneuver up and down the central waterway, filled with tourists, and propelled by jovial guides who ask where you’re from or repeat well-worn canoe jokes.

Like any good tourist attraction, the Polynesian Cultural Center doesn’t miss opportunities to sell things – souvenirs, gift items, pieces of art. Pretty much anything with a tiki on it is available.

Because large bus tour groups fill the park, carefully executed luau logistics guarantee that everyone gets their fair share of roasted pig and purple taro rolls. Visitors enter their authentic luau assembly area, stopping to pose for a photo (later available for purchase). Several dining areas seat hundreds at a time; each presents a dancing show while the audience enjoys their buffet feast.

After the luau, park visitors assemble for the nighttime spectacle over at the Horizons amphitheater. The music and dance extravaganza during our visit was “Ha – Breath of Life.” The warrior coming-of-age tale features an original music score, sophisticated lighting and effects, choreographed with its masses of young men and maidens.

The show is as extras-crowded as any Latter Day Passion Play (and a lot more lively), and mixes the décor, dress and customs you’ve been looking at all day in the Villages. Throughout your entire PCC experience you’ll gaze on plenty of rippled male abs, but no females in true attire (a traditional Hawaiian hula dancer would wear only a lei and a tapa skirt. Actually, you probably won’t see that anywhere in Hawaii). “Ha” is more Orlando Disney than Vegas Cirque du Soleil, entirely family appropriate.

“Ha’s” nightly crowd pleaser is the legendary fire knife dance. The “knife” is set on fire at both ends and twirled in elaborate shows of acrobatics. The experts flawlessly sustain the pyrotechnic act for long stretches. It’s the Hawaiian equivalent of a fireworks finale.

05.16
11

Surfing Monument, Santa Cruz, CA

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A dramatic cliff face south of Santa Cruz leads to the old brick lighthouse (which houses the Surfing Museum). Along the way, overlooking a prime surfing spot, are a couple of monuments to the sport. The “official” surfing monument was commissioned and dedicated in 1992. Titled “To Honor Surfing,” the bronze of a male surfer standing in front of his board was created by sculptors Brian W. Curtis and Thomas Marsh.

A nearby plaque notes that the tiny park and statue is “dedicated to all surfers, past present and future.” The figure was inspired by members of the Santa Cruz Surfing Club, which dates back to 1936.

A wooden park bench faces the statue and ocean, with this carved into the back rest:
“In Memory of All Surfers Who Have Caught Their Last Wave — Santa Cruz Surfing Club.”

That cheery send-off has more context if you continue south to the unofficial Dead Surfers Memorial

05.14
11

Dead Surfers Memorial, Santa Cruz, CA

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The Pacific coast near Santa Cruz is known for its great surfing. There are spots forgiving enough for beginners, and dangerous stretches recommended for experts only. But surf conditions, accidents and bad luck exact a fatal toll.

Along West Cliff Drive there’s a famous surfing spot known as Steamer Lane. An informal memorial up on the cliff remembers surfers who have died — it’s next to a staircase leading down to the beach. The wooden plaques are all custom, hand-routed tributes by friends or family.

“RIP CARL,” “Pat and Skye, In our hearts and minds,” and “Good Ol Bubs RIP” are typical carved messages, lacking biographical details (because they are well-known locals?). There are flower arrangements and small keepsakes along the fence. Someone left a shrink wrapped block of Cabot’s Cheddar Cheese as an offering of some sort.

It reminds us a bit of highway fatality memorials, but not really. Those impromptu descansos always seem sad, marking the impact point for sudden unexpected deaths on some lonely road, lives of the victims randomly cut short. But surfer deaths are different. They were doing what they loved, and knew the risks.

And there’s something eternally awesome about having your name carved into a board nailed to the overlook of your favorite surfing spot — even if it did kill you.

05.14
11

Looking For Screamers On The Jersey Shore

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Road trip news, rants, and ruminations by the Editors of RoadsideAmerica.com

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Looking For Screamers On The Jersey Shore

“I loved that exploding toilet,” said Jack Morey, head of development and research at Morey’s Piers in Wildwood, New Jersey. “But it’s gone.”

The toilet was one of the shock effects on Ghost Ship, a multi-million-dollar spookhouse that opened on Morey’s Pier in 2010. After a season’s worth of experience, Morey’s has reviewed its star attraction and removed the parts that it felt weren’t scary enough. No favors were shown; the toilet didn’t make it.

Jack, however, enthusiastically confirmed that the vomiting skeleton is still there.

Billed as “the creepiest attraction on the eastern seaboard,” Ghost Ship is loosely based on the story of The Philadelphia Experiment, which in 1943 reportedly teleported a U.S. Navy ship through space and time and left its crew either raving mad or horribly dead. Visitors to Ghost Ship have to wind their way through its multiple decks — it takes a quarter-hour — while live actors and animatronic props try to scare the bejesus out of them.

When Ghost Ship opened, its cast was taught to speak only in German. That turned out to be too confusing; now they speak only English, or just shriek and howl (a universal language). Barriers have been removed to make the actors more menacing, and the pacing of the attraction has been adjusted to keep from burning out the cast. “It’s a big facility,” said Jack (the ship is 14,000 square feet). “You can do anything for an hour, but try scaring people for eight hours. It’s exhausting.”

Jack said that legendary former Wildwood attractions such as Castle Dracula inspired Morey’s to build Ghost Ship as an attraction that would draw people for decades, even if it wasn’t on a boardwalk at the beach. Morey’s is duty bound to make Ghost Ship scarier year after year. “You look for the screamer,” Jack said, explaining that cast members are trained to zone in on those who seem likely to produce the loudest reactions. “Screams are good for business. If a guy is going through with his girlfriend, he wants her to scream.”

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